SOUNDS LIKE JAZZ
SOUNDS LIKE JAZZ - JAZZPODS
SOUNDS LIKE JAZZ brings an amazing mix of swing, pop, blues and classic jazz recordings of the ‘Mid-Century’, from 1962 and beyond. Each podcast has topical stories mixed with musical items guaranteed to relax and raise a smile during the morning break.
Whatever it takes, ‘SOUNDS LIKE JAZZ’ let you sit back, relax and enjoy your well deserved rest this morning.
JAZZPOD is the name given to each episode. The name is taken from the collective name for a group of dolphins.
Dolphins swim in groups. Each dolphin is free to twist , turn , dive or reach for the heavens in any way they wish. In the midst of all this improvisation there is a common movement which keeps them swinging together in close harmony. The collective term for this is a POD. Each JAZZPOD episode hopes to do the same and so does every group of Jazz musicians we hear. All we have to do is sit back and marvel at the sound and relax with a cup of tea or coffee, some chunky biscuits, and a comfy chair.
So when it’s time for mid- morning rest why not enjoy a 30 minute break and listen to some relaxing music and chat with one of these SOUNDS JAZZ LIKE episodes.
(A 2024 DITSR production)
SOUNDS LIKE JAZZ
JAZZPOD ONE
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JAZZPOD ONE
When it’s time for mid- morning rest why not enjoy a 30 minute break and listen to some relaxing music and chat.
SOUNDS LIKE JAZZ brings an amazing mix of swing, pop, blues and classic jazz recordings of the ‘Mid-Century’, from 1962 and beyond. Each podcast has topical stories mixed with musical items guaranteed to relax and raise a smile during the morning break.
Whatever it takes, ‘SOUNDS LIKE JAZZ’ let you sit back, relax and enjoy your well deserved rest this morning.
(A 2024 DITSR production)
DITSR Copyright © 2024-26
I sincerly hope that no copyright has been infringed. Pardon is sought and apology made if the contrary is true, and a correction will be made in any future Jazzpods.
Hello and welcome to this brand new Jazz Holiday from Darling Show Radio. Be prepared for some cool laid-back sounds from the old-time greats of the 20th century. Sounds like jazz may not stick to the parameters of the genre, but who knows where one really begins and another ends. Today we will hear Shelley Man and his men, Elliot and Louise, Camp Bassing Joe Williams, Oscar Peterson playing Javon Kern, and many more that make up Sounds like Jazz Radio. So sit back with a lemon green tea and let's begin to relax with the incredible jazz guitar of Wes Montgomery playing Mr. Walker, his own composition from 1960. Listen closely, and you'll hear what sounds like to me anyway, a James Bonriff in the middle. There is a chord structure to the music you will hear with glorious melodies performed by the best musicians of all time. Like Oscar Peterson. Listen to his improvisation on the melody and tempo in this version of Old Man River. I'm not so interested in a straitjacket called pure jazz. The focus of these jazz bots is pure enjoyment. Sounds like jazz is a mixture of jazz standards and other elements bringing up from New York, the West Coast, Brazil, Europe, the Caribbean during the middle century. One, four, two, three, four, four. You can put your feet four. No, it's on the club. On the opposite of your piece of your foot right now, this is what I imagine the type of picture is. I think it's time. You can go to the National Jazz Archive if you want an education in jazz. The website is all about the working for the past, present, and future of jazz, and it is outstanding. No, this series of sounds like jazz is for the fun of it. Imagine you have a time to relax in a place where you can simply allow the bass notes to boom through you. A haven where you can feel the beats of the drums deep in your soul. A free time to wander at the skills of the trumpet, saxophone, and keyboard. Try it out with this number from Shelleyman and his men recorded in Los Angeles in 1956, not too far from the jazz club they played live in called Tiffany's. By the way, Shelleyman is the drummer. Up next is a panoramic true high fidelity record from Louis Armstrong and Ella Fitzgerald. Jazz originated in blue singing in the early 20th century, and one of my favourite early singers with Louis Armstrong was a man with the great sounding name, Jack T. Garden. But today it's the principal voice of Ella. She remains the most vigorous and ineffable singer in jazz and popular music I've ever heard. Listen to her luminous lyrical memory by the Swedish Polish trumpet melody from the King of Jazz himself. Edition of Moonlights in Valmont. The backing is provided by the Oscar Peterson trio with the extra bonus of Buddy Rich on Drums.
SPEAKER_01Wobbling of metal love. And travel each band in the road.
SPEAKER_04In this romantic setting. So hypnotized by lovely. This is an excerpt from the last two standards. The shadow of the dawn of pleasure floated midway all the way to where was her the Mengle measure from the fountain and the cave? It was a miracle of rare device. A down door. An original title. It was a Pitanium made. And I don't care if it's only to borrow. That would be the cloud. I would build up dome in the only dome. And all of that and all to try beware bewir. Weave a circle around and try to close your eyes with holy dread. For K and Feel after bed. And drink the milk of paradise.
SPEAKER_02What is this thing? Allow this funny thing just who can solve its mystery. Why should it make a fool of me? I saw you there one wonder you took my heart and threw it away. That's why in hell one above. What is this thing? You took my heart and threw it away. That's why the love in heaven of love. What is this thing?
SPEAKER_04Well, thank you for listening to Sounds Like Jazz Pod. That music means that it's time to finish for today until the next jazz pod comes your way. I think we should leave the last words to Louis Armstrong. He says, There's only two ways to start jazz music. Either it's good or it's bad. If it's good, you don't mess about it, you just enjoy it.